The Reds

THE REDS BIOGRAPHY: This Philadelphia, PA band's first album on A&M, entitled "The Reds," is a combination of textures dense with electronic chaos brought to the edge of madness, then resolved into piercing clarity. The album showed the band's impressive sound . . . a blend of Rick Shaffer's guitar and Bruce Cohen's keyboards into an interestingly textured drone, short guitar and keyboard figures, rising then disappearing back into the drone, while Shaffer's voice provides the punch and definition for the overall sound. The album was supported with live appearances with such diverse acts as The Police, Joe Jackson, The Psychedelic Furs, and Public Image. > > > > "The Reds" was followed by an A&M released EP featuring The Doors song, "Break On Through," which suggests some of the band's roots. After leaving A&M, The Reds went forward with two independent albums, "Stronger Silence" and "Fatal Slide." These two records continued The Reds sound, receiving critical acclaim internationally, and were supported with extensive tours. > > > > They next recorded a tense and powerful album for Sire/WB entitled, "Shake Appeal," produced by Mike Thorne (Blur, Soft Cell, Wire). This forcible record led the band to work with director/producer, Michael Mann. Mann incorporated numerous Reds songs into episodes of Miami Vice, and was so impressed with the impact of the songs he hired Shaffer and Cohen to write songs and score for two motion pictures, "Band Of The Hand" (Tri-Star) and "Manhunter" (De Laurentiis), based on the novel "Red Dragon." Soundtracks from both films were released on MCA. > > > > Solo projects at this time for Cohen were writing score for the productions, "Dr. Jekyll & Mr. Hyde" and "Down The Road" at Philadelphia's Walnut Theatre; "The Speckled Band," starring Quentin Crisp, and Charles Busch' play, "Vampire Lesbians Of Sodom" for NYC's Pulse Theatre Company; and a forty minute electronic film noir piece for "Goodbye Johnny Staccato." > > > > While solo projects for Shaffer included recording guitar tracks on a Marianne Faithfull album (Island); Hilly Kristal's, "Mad Mordechai" (Stereo Society); Peter Murphy's, "Holy Smoke" (Beggars Banquet/BMG); and Marc Almond's, "Fantastic Star" (Some Bizarre/Mercury). > > > > Their next album, "Cry Tomorrow" (Tarock) reunited The Reds with British producer Mike Thorne. It captures the driving intensity of earlier albums and the ambient, atmospheric feel from their film scores, resulting in a stark, surreal album, with a sense of mood and mystery. The pulsing opening track, "Terror In My Heart," was featured in the film, "Nightmare On Elm Street 2" (New Line), directed by Jack Shoulder. Following was the bone crushing title track, "Cry Tomorrow," a searing non-stop groove of the Stones' "Gimme Shelter," the introduction of various percussive elements and a diversity of background vocals, all create an experimental and manic energy that reaches inside your head and won't let go. > > > > In 2004 Rick Shaffer was again recruited by director, Michael Mann, to write and record, "Looking For Right," for the film, "Collateral." > > > > The critically acclaimed album, "Fugitives From The Laughing House" (Tarock) was then released in 2007. Written and produced by The Reds, the ride starts from the street fighting "Wild" and "Little Cisco," through the hypnotic stroll of "Ringing The Bell" and "Dum Dum Dice" . . . and does not let up until the end with the grinding Dub laced "Gunn's Suicide," and slow death burn of "Can't Bring You Back Again," which feels like a dying man's last breath. "Fugitives From The Laughing House" is a straight forward raw nerve reflection of life in America. In 2008, "Lethal Dose" (track 10) inspired British director, Peter McAdam, to shoot an independent film short, also entitled Lethal Dose. > > > > The Reds February 2009 release, "Early Nothing" (Tarock) was also written and produced by Shaffer and Cohen. Created over a period of time to develop a hypnotic quality, that leaves the listener free to let their subconscious play itself out, no matter where it goes, while maintaining the simplicity of the moment. With the release of Early Nothing, The Reds, shamans of dark, brooding, loud rock continue to explore and define their sound. > > > > Bruce Cohen's first solo album, "one BC" (Tarock), was released August 2009, and contains all atmospheric ambient instrumentals in the tradition and style of Brian Eno and Peter Gabriel. Rick Shaffer, meanwhile, is in the studio writing and recording songs for a yet untitled solo album of his own, scheduled for release in early 2010.